A few years ago I analyzed the Broadway Box Office Sales and compared the percentages of four main types of musicals: Pop/Rock (those primarily consisting of pop/rock style music), Contemporary (musicals that combine traditional and contemporary styles often with some pop/rock influence), Traditional (those that are written in the Tin Pan Alley style that evolved in the early 20th century), and Legit (those musicals which rely heavily on the “legit” or classical voice).  I’ve been asked several times to review the most recent season, so this evening I compared the numbers as provided by BroadwayWorld.com.  Here are the numbers for 2012:

Pop/Rock	$407,162,561.00
Contemporary	$377,213,960.00
Traditional	$118,693,159.00
Legit	$76,459,865.00

 

The percentages breakdown as follows:

Let’s compare those percentages to the 2009-2010 season:

As you can see, there have been some significant changes.  The percentage of pop/rock has increased from 35% to 42%; Contemporary musicals have increased from 26% to 38%; Traditional musicals have remained steady at 12%; and Legit musicals have dropped from 27% to 8%.  When I spoke at the Indiana University New Voice Educator’s Symposium in 2011, I predicted that we would continue to see the rise of pop/rock singing on Broadway and an unfortunate decline in legit musicals.  My predictions have come true; Pop/Rock musicals are here to stay.  I think there will always be varying trends in the popularity of traditional and legit works, but I think for the next few years we are going to see more of the same.

Here are the shows I used for this analysis:

Pop/Rock

BILLY ELLIOT: THE MUSICAL

BRING IT ON THE MUSICAL

EVITA

FELA!

FRANKIE VALLI AND THE FOUR SEASONS ON BROADWAY

GHOST

GODSPELL

JERSEY BOYS

JESUS CHRIST SUPERSTAR

LEAP OF FAITH

LYSISTRATA JONES

MAMMA MIA!

MEMPHIS

ONCE

ONE MAN, TWO GUVNORS

PRISCILLA QUEEN OF THE DESERT

ROCK OF AGES

SISTER ACT

SPIDER-MAN TURN OFF THE DARK

 

Contemporary

BONNIE AND CLYDE

CHAPLIN

ELF

MARY POPPINS

NEWSIES

THE ADDAMS FAMILY

THE BOOK OF MORMON

THE LION KING

WICKED

 

Traditional

ANNIE

ANYTHING GOES

CHICAGO

FOLLIES

HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING

NICE WORK IF YOU CAN GET IT

ON A CLEAR DAY YOU CAN SEE FOREVER

 

Legit

PORGY AND BESS

THE MYSTERY OF EDWIN DROOD*

THE PHANTOM OF THE OPERA

*There have been some comments that it is questionable to consider this song “legit.”  My decision to label this show in this manner was based on several casting notices that asked for “legit” voices as well as reviews that remarked on the scores operetta style.